约翰·雷森
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伴遊少女愛麗絲前男友車禍身亡,迫使她與拋棄多年的六歲兒子相逢,她用來保護本人的高牆也瞬間崩毀。岂但難以維持自立的生涯,長年壓抑的情緒也潰堤。儘管大家都盼望平安感,但有些人卻畏惧與别人親密接觸,配角愛麗絲則在兩者間擺盪與掙扎；母子親密好像天經地義,但如果你情緒上就是無法做到呢！如果沒有一同生涯過,血緣關係能否有意義！愛能戰勝恐懼嗎！本片深入描写兩個徬徨的靈魂怎样掙扎著找到對方!進而找回本人。
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Luisa, a 40-year-old singer, and her companion Julien, a guitarist and composer, have had a group together for many years. One day, her father - whom she has not seen since she was a teenager - comes to see her after a concert. The encounter, during which he tells her he is seriously ill, unsettles Luisa. She begins to look differently at the life she leads.
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Matt,aninfluencerandyoungparenttonewbornJulius,discoversadarksecretfromhisdementingfather’spast.Hestartsanin-depthinvestigation,whichconsequentlyopensaPandora’sboxofsecretsandunravelsmorefamilydramasthananticipated.Matt’swife,Liv,isdeeplyconcernedandwilldoeverythinginherpowernottolosehim,butisittoolate..?
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With his firmly designed debut, Flemish filmmaker Kristof Hoornaert makes perfect slow cinema. Johan Leysen plays a hermit who leads a self-contained life in his simple house in the forest. On one of his strolls, he finds a half-naked young man, to whom he offers clothes, food and shelter. Their wordless companionship is put to the test when the police come to the door and the mysterious young man turns out to have committed a murder. The hermit faces a moral dilemma: should he help him or turn him in? The pure shots are back to basics – a window, the sun, faces – and Resurrection develops into a parable about cruelty in the world. The refined camerawork, in broad Cinemascope, is by the Lithuanian Rimvydas Leipus, well-known for the films of Sharunas Bartas, and Khadak by Jessica Woodworth and Peter Brosens. With his subdued acting, Leysen provides many clues to fathom his motives. His deeply-lined face tells a story of its own.
