Herbert

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古宅老友记:圣诞特集
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巴顿庄园迎来了圣诞节,Alison跟Mike第一次在这里招待后者的家人,Mike决议力图完善。但是他想要让本人怙恃门庭若市的筹划,有点过于悲不雅了。Alison也决议为活人跟幽灵奉上有史以来最棒的圣诞节,只管幽灵们不太有节日的高兴之情。庄园里新来的一自我迫使Julian面临本人从前的毛病。跟着深刻本人生前的影象,他有所发明,而且认为这能够赞助幽灵们从新意识圣诞节的实在意思。
城市里的老鼠
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在复杂多变的社会和过于喧扰的环境中,这个故事合集讲述了八位不安于现状的伦敦人努力寻求自我,得到大家认可的经历。无论是在黑暗还是光明的世界里,通过救赎、折磨和内心的坦承,每个失去灵魂的心终将找到解决问题的办法。
艺术家与模特
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Eugene and Rick are two struggling artists who share apartment. However, Rick has problems with that, because Eugene is obsessed with pulp fiction comic books and has nightmares because of that. However, Rick soon finds that those nightmares could be excellent material for his own comic books.
布罗姆利的足球小子
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本片改编自卑卫·罗伯特的小说。故事报告了1966年当英格兰夺得天下杯之后,在英国崛起了足球伟大的酷爱。布罗姆利FC俱乐部的粉丝大卫,终日妄想能代表本人的可爱的球队出战,然而球队治理凌乱,濒临升级,面对联赛升级跟遣散的危急。大卫自告奋勇,四处奔忙拯救球队,自告奋勇拯救俱乐部的故事。终极他的妄想能实现么!
决不撤退!
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【剧情简介】1950年11月,美军冲过三八线追击溃败北朝鲜军队的美军海军陆战队第一师和第七步兵师,在中朝边境进攻清津水库地区时,遭到中国人民志愿军优势兵力的猛烈反击,陷入中朝军队的重围之中。美军总部下令全面撤退。美军海军陆战队史密斯将军却公然违抗总部命令,下令部下反击中朝部队。海军陆战队斯提夫上尉率领一个营担任掩护任务,经过浴血激战,终于和主力部队一起冲出对方的包围圈。影评界认为这部影片是正面描写朝鲜战争双方的少有影片之一。它一方面以正面手法再现了中国人民志愿军入朝初期排山倒海的反击规模,同时也歌颂了美军海军陆战队顽强作战的斗志。影片中一个美军下士,刚满17岁,但是在一次夜战中身负三处枪伤的情况下坚守阵地,保证了主峰的安全。该片的另外一个独特之处是大量使用战场实地拍摄的记录片片段。当炮弹在镜头里爆炸时,摄影机剧烈抖动,使观众有如临其境之感。
谍海群英会
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「谍海群英会」是一部片子,影片以第二次天下大战为配景,报告了一个孤胆豪杰英国特务奎勒单身跟德国纳粹剩余奋斗的勇闯虎穴!智斗群魔式的故事,主人公拥有007的自我豪杰主义,情节惊险!悬疑!兴趣实足,是特务片里的经典之作。曾荣获英国片子学院奖最佳影片!最佳编剧!最佳男配角!最佳拍照!最佳打扮等多项提名。
雪夜生机
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山難發生,一名女警跟她正在追捕的連續殺人犯!一名醫生跟醫生的女伴一起被困在山中小屋。兇手宣稱醫生才是真正的兇手。女警跟醫生一起挖洞逃生,但她漸漸開始起疑。
孤城英烈传
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一个被歧视的马队批示官,被他的部队所认定招致的一个受欢送的军官逝世亡,所受不公正地责备,他必需在印第安人的打击中,在他部下的士兵眼前赎罪。
末代沙皇
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社会动乱囊括20世纪初的俄罗斯。沙皇尼古拉斯二世抵抗变更,从而激发了一场反动,停止了王朝。
荣耀六十年1938
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor
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