高雅
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申源浩
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本剧环绕着新村投止屋里一群从处所到都城读书的94届投止生开展。成娜静（文雅拉 饰）现年39岁,一盘录像带让她的思路回到了1994年,回到了昔时温馨热烈的投止屋。 1994年,成娜静就读于电脑工学系一年级,欧巴“渣滓”（郑宇 饰）是本科三年级医先生,他们一家四口从故乡搬到首尔,开了一家投止屋,专门给先生供给宿舍。“张国荣”!“三千浦”!“海太”!“喜滋滋”以及“七峰儿”等人一一上场,投止屋更加烧烈,娜静爸妈也生机在这些投止生中,找一个适合的半子。 本剧由「请答复1997」制造班底申源浩导演跟李有静编剧再度联袂打造,故事配景设定在1994年的韩国首尔,本剧片面过细地重现了昔时的风行文明,再次掀起念旧高潮。
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With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. EPISODE ONE: The first episode will be about how the art of Renaissance Flanders e册ved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. EPISODE TWO: In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. EPISODE THREE: Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.
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郭政焕
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该剧报告妄想着能经由过程法庭反抗强权!掩护弱者的菜鸟法官,据守准则的初精英法官,事实主义的法官,在由这三名形色各别的法官构成的司法裁判部产生的切近事实的法庭电视剧。文雅拉剧中扮演公理热血菜鸟法官朴巧凛一角,朴巧凛是大韩平易近国最初音大出生的法官,她是一个想赞助荏弱的白叟,女性,残疾人,穷人等弱者们处置委屈变乱的公理脚色。金明洙扮演初精英准则主义法官“林巴伦”一角,他是以高分考取名牌大学法学系!独来独往的法院自我主义者法官。虽是精英中的精英,却对提升没兴致,对任何事都很冷漠,只按准则服务,以为以自我的怜悯心跟气意来判定是滥用权柄。成东镒扮演事实主义法官韩天下一角。柳德焕在剧中扮演郑宝王一角,他是首尔中心法院法官!最高谍报通也是林巴伦的好友人。
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乌妮·勒孔特
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1975年,年仅9岁的李珍熙（金赛纶 饰）被爸爸（薛景求 饰）送进了一家上帝教男子孤儿院。珍熙不明确爸爸为什么摈弃本人,他岂但给本人买了新衣服,还买了大蛋糕,而且允许要带她去游览,但是她千万没想到,游览的起点竟然是孤儿院。固然非常排挤孤儿院的生涯,但跟着时光的推移,顽强的珍熙不得不开端接收新的生涯。珍熙意识了淑喜（朴度妍 饰）另有艺新（文雅星 饰）两位好友人,淑喜为了有人收养本人老是说本人只有11岁,而17岁的艺新为了能常罕见到本人暗恋的男生而谢绝被人收养,珍熙则一直生机有一天可以回到爸爸的身边。但是运气的轨迹并不会如他们所设想的那样前进,人生的路程上只有阅历疼痛能力变得顽强,能力一直生长……作为首部韩法合拍片,本片在2009年的第62届戛纳片子节特殊单位跟第22届东京片子节亚洲之风单位均加入展映,并于昔时11月在澳大利亚昆士兰第三届亚太片子奖上掉掉落最佳儿童片子。
